Amps

I have four amps which I use (or used) for harp playing: a 30 Watt Hughes and Kettner, a 100 Watt Fender Bassman 1973, a 50/25 Watt Koch and a 15 Watt Fender Pro junior. They all sound (very) different. Recently I gathered information about 'the art of tubeswapping', which led to a better sound for two of my amps: the Koch and the Pro Junior. I don't use the Hughes and Kettner any more for harp. It's the only solid state amp I have and the sound is way too thin for harp. Below I will write down my exerience with the amps I still use nowadays: the Koch, the Fender Bassman100 and the Fender Pro Junior.

The Koch KC50 'Harmonica'

Koch KC50 'Harmonica'

This is my Koch amp: a combo with a 12 inch Celestion speaker. It is not a guitar amp but an amp especially designed for the harmonica. It's a Dutch brand. The amp has been taken out of production, becaus the market for harp amps is small, at least in the Netherlands. Unlike guitar players, harp players mostly buy old, relatively inexpensive amps. The Koch has a clean channel and an overdrive channel. The overdive has to options, with each a different kind of distortion: 'gain' (first stage of the overdrive channel) and 'drive' (second stage of the overdrive channel). The amp also has a good reverb (leftmost knob). To controle feedback the amp has a number of possibilities to cut of the high tones, by means of press-buttons. Futhermore there is a bassboost to increase the lower bassrange of the overdrive channel. With a pentode-triode switch the amp can be played at 25 and at 50 Watt power. The speaker is easy to disconnect. I sometimes do this to connect the amp with the "3x10 inch and a tweeter" box I normally

use with my Bassman100 silverface amp. This gives a different and also very good sound. The clean and the overdrive channel have different inputs and each has a different input for low and high impedance mics. The clean and overdrive channel are automatically linked when only one channel is plugged in. Switching between channels is possible with a manual switch and a footswitch. When both channels are plugged in, the link disconects and the player can switch microphones while playing. This is only a part of the possibilities of this amp. If anyone want to know more, pleas ask. As noted above, the amp was especially designed for harp playing. Nevertheless, a little customization was nessesary. The two pre-amp tubes where both 12AX7 tubes. When using much gain or drive, the volume knob couln't be set higher than about 2 or 3. I switched the tubes for a 12AY7 (first one) and a 12AT7 (second one). Now I can screw up the volume knob to about 6-9, depending on the amount of gain and/or drive, which gives me much more possibilities to create an optimal sound. I also have a couple of 12AU7 tubes. So I can experiment a little bit further. But for now, I am very satified with the sound.

Go to: Fender Bassman100 Go to: Fender Pro Junior  Go to : Harps  Go to: Links  Go to: Microphones  Go to: Harp courses
Go to: Tongueblocking  Go to: my astronomy website  Go: Home