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Vivaldi [Concerto] Concertos. b Stephen Preston (fl); a Simon Standage (vn); c Anthony Pleeth (vc); The English Concert / Trevor Pinnock.
CRD (Full price) (CD) CRD3348/9 (two discs, nas: 134 minutes: ADD).
12 [Concerto] Concertos, "Il cimento dell'armonico e dell'inventione", Op. 8a—[No.] Nos. 1-4, "The Four Seasons" (from CRD1025, 11/76); [No.] Nos. 5-12. Flute Concerto in D major, RV429b. Cello Concerto in B minor, RV424 c (all from CRD1048/9, 7/78).

Simon Standage with The English Concert under Trevor Pinnock's direction made this recording of Vivaldi's 12 Concertos, Op. 8, over ten years ago. More recently, it appeared on CD in a piecemeal fashion that seemed intended to bewilder the prospective buyer. Now the two discs thankfully have swarmed and the set is available in an intelligible format. I enjoyed the performances enormously when I first heard them and reviewed them—The Four Seasons in 1976, and the remaining eight concertos in 1978. Nothing since has really changed my mind. There is a delicacy in this playing which, even though periodinstrument performances have gone from strength to strength in the last decade, has not been surpassed by this ensemble. The finale of "Spring" is a marvellous example of what I mean; here we have transparent textures, expressive solo playing and a luminosity which exerts an almost fairy-tale magic over the music. This playing seems more relaxed to my ears than it has sometimes struck me on more recent occasions. Of course, there is no denying that both in respect of ensemble and intonation there are aspects of these earlier performances which compare unfavourably with the very high standards set today, but that is not to say that anything here falls below what might generally be considered acceptable and for the most part the playing and the interpretation rise very considerably above that. Another feature of this set which I have grown to appreciate more and more is the sound of the recording itself which seems to me almost ideal. CRD had a man of rare gifts in the late Simon Lawman and his recordings invariably give me pleasure.

Now for a pro and a con. Rather than give the buyer poor value for money, CRD have included two extra concertos, one for cello in B minor RV424 and another for flute in D major, RV429. These are both attractive pieces and are agilely played by Anthony Pleeth and Stephen Preston, respectively. How sad, therefore, that an opportunity for an oboe player to come forward was not grasped. In the Ninth and Twelfth Concertos of Op. 8 Vivaldi's solo instrument was an oboe though the publisher allowed a choice between oboe and violin. Here a violin is preferred, but whilst this might once have been seen as a drawback there are now at least two rival versions which employ an oboe so the present solution perhaps after all, offers an interesting alternative. Of the three sets of Vivaldi's Op. 8 on period instruments—the others are with the Academy of Ancient Music directed by Christopher Hogwood (L'Oiseau-Lyre), and the Vienna Concentus Musicus with Nikolaus Harnoncourt (Teldec/ASV)—the Standage/Pinnock version remains my favourite. There is a youthful exuberance about this playing which, together with a marvellous recorded sound, makes it irresistible.
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